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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>Poetry • Prose • Passion</description><title>Lit Verve</title><generator>Tumblr (3.0; @litverve)</generator><link>http://litverve.tumblr.com/</link><item><title>"We must not confuse clarity of language with the clarity of a text.
The former illumines on the..."</title><description>“We must not confuse clarity of language with the clarity of a text.&lt;br/&gt;
The former illumines on the surface, the latter within. Fluid borders.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Edmond Jabès, from &lt;em&gt;The Book of Shares&lt;/em&gt;, trans. Rosmarie Waldrop&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/53313800082</link><guid>http://litverve.tumblr.com/post/53313800082</guid><pubDate>Tue, 18 Jun 2013 19:23:16 -0400</pubDate><category>lit</category><category>poetry</category><category>Edmond Jabès</category><category>language</category></item><item><title>"The words the happy say
Are paltry melody
But those the silent feel
Are beautiful—"</title><description>“The words the happy say&lt;br/&gt;
Are paltry melody&lt;br/&gt;
But those the silent feel&lt;br/&gt;
Are beautiful—”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Emily Dickinson, “1750” (&lt;a href="https://twitter.com/AmherstEmily/status/346394396993921027" title="via" target="_blank"&gt;via&lt;/a&gt;)&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/53311808853</link><guid>http://litverve.tumblr.com/post/53311808853</guid><pubDate>Tue, 18 Jun 2013 18:54:06 -0400</pubDate><category>lit</category><category>poetry</category><category>Emily Dickinson</category></item><item><title>Joerg Marx</title><description>&lt;img src="http://25.media.tumblr.com/878ef9bb8685897ad852e5bd9db8bc76/tumblr_molznhXCqx1rs8cz3o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.behance.net/gallery/The-Sky-is-Falling/8661987" title="Joerg Marx" target="_blank"&gt;Joerg Marx&lt;/a&gt;&lt;/p&gt;</description><link>http://litverve.tumblr.com/post/53307706320</link><guid>http://litverve.tumblr.com/post/53307706320</guid><pubDate>Tue, 18 Jun 2013 17:57:16 -0400</pubDate><category>landscape</category><category>clouds</category><category>trees</category><category>photography</category></item><item><title>"It was only
the thin thread of a cloud,
almost transparent,
leading me along the way
like an ancient..."</title><description>“It was only&lt;br/&gt;
the thin thread of a cloud,&lt;br/&gt;
almost transparent,&lt;br/&gt;
leading me along the way&lt;br/&gt;
like an ancient sacred song.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Yosano Akiko, from &lt;em&gt;River of Stars&lt;/em&gt;, trans. Sam Hamill and Keiko Matsui Gibson&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/53055309117</link><guid>http://litverve.tumblr.com/post/53055309117</guid><pubDate>Sat, 15 Jun 2013 18:29:53 -0400</pubDate><category>lit</category><category>poetry</category><category>Yosano Akiko</category></item><item><title>"The poet is someone who perceives that language, his language, the language he inherits…is in..."</title><description>“The poet is someone who perceives that language, his language, the language he inherits…is in danger of becoming a dead language again, and he therefore has the responsibility, a very grave responsibility, of waking it up, of resuscitating it…Each poem is a resurrection, but one that engages us to a vulnerable body, one that may be forgotten again.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Jacques Derrida, &lt;em&gt;Sovereignties in Question: The Poetics of Paul Celan&lt;/em&gt;, trans. Thomas Dutoit and Philippe Romanski&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/53053596272</link><guid>http://litverve.tumblr.com/post/53053596272</guid><pubDate>Sat, 15 Jun 2013 18:03:10 -0400</pubDate><category>lit</category><category>poetry</category><category>Jacques Derrida</category></item><item><title>Mark Reep, Home is the Sailor, Charcoal, Graphite</title><description>&lt;img src="http://25.media.tumblr.com/27d80d593aa17f4d3490421244bf7b5a/tumblr_mogc7oEGyB1rs8cz3o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://artoutthere.blogspot.com/search?updated-max=2012-08-02T07:37:00-07:00&amp;max-results=2&amp;start=68&amp;by-date=false" title="Mark Reep" target="_blank"&gt;Mark Reep&lt;/a&gt;, &lt;em&gt;Home is the Sailor&lt;/em&gt;, Charcoal, Graphite&lt;/p&gt;</description><link>http://litverve.tumblr.com/post/53048375877</link><guid>http://litverve.tumblr.com/post/53048375877</guid><pubDate>Sat, 15 Jun 2013 16:43:00 -0400</pubDate><category>art</category><category>Mark Reep</category></item><item><title>"Things are not all so comprehensible and expressible as one would mostly have us believe; most..."</title><description>“Things are not all so comprehensible and expressible as one would mostly have us believe; most events are inexpressible, taking place in a realm which no word has ever entered, and more inexpressible than all else are works of art, mysterious existences, the life of which, while ours passes away, endures.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Rainer Maria Rilke, &lt;em&gt;Letters to a Young Poet: February 17, 1903&lt;/em&gt;, trans. M. D. Herter Norton&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/52966832976</link><guid>http://litverve.tumblr.com/post/52966832976</guid><pubDate>Fri, 14 Jun 2013 15:53:04 -0400</pubDate><category>lit</category><category>poetry</category><category>Rainer Maria Rilke</category></item><item><title>"Blame it or praise it, there is no denying the wild horse in us. To gallop intemperately; fall on..."</title><description>“Blame it or praise it, there is no denying the wild horse in us. To gallop intemperately; fall on the sand tired out; to feel the earth spin; to have — positively — a rush of friendship for stones and grasses, as if humanity were over, and as for men and women, let them go hang — there is no getting over the fact that this desire seizes us pretty often.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Virginia Woolf, &lt;em&gt;Jacob’s Room&lt;/em&gt;&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/52919023121</link><guid>http://litverve.tumblr.com/post/52919023121</guid><pubDate>Thu, 13 Jun 2013 23:08:38 -0400</pubDate><category>lit</category><category>Virginia Woolf</category></item><item><title>Michel Perrin</title><description>&lt;img src="http://25.media.tumblr.com/a192f9878d0cf815f639ca413247899a/tumblr_mod30gMyit1rs8cz3o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.behance.net/gallery/Alone/2688987" title="Michel Perrin" target="_blank"&gt;Michel Perrin&lt;/a&gt;&lt;/p&gt;</description><link>http://litverve.tumblr.com/post/52916389339</link><guid>http://litverve.tumblr.com/post/52916389339</guid><pubDate>Thu, 13 Jun 2013 22:31:28 -0400</pubDate><category>photography</category><category>landscape</category></item><item><title>"A rough sound was polished until it became a smoother sound, which was polished until it became..."</title><description>“A rough sound was polished until it became a smoother sound, which was polished until it became music. Then the music was polished until it became the memory of a night in Venice when tears of the sea fell from the Bridge of Sighs, which in turn was polished until it ceased to be and in its place stood the empty home of a heart in trouble. Then suddenly there was sun and the music came back and traffic was moving and off in the distance, at the edge of the city, a long line of clouds appeared, and there was thunder, which, however menacing, would become music, and the memory of what happened after Venice would begin, and what happened after the home of the troubled heart broke in two would also begin.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Mark Strand, “The Everyday Enchantment of Music”&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/52913316296</link><guid>http://litverve.tumblr.com/post/52913316296</guid><pubDate>Thu, 13 Jun 2013 21:48:16 -0400</pubDate><category>lit</category><category>poetry</category><category>Mark Strand</category></item><item><title>intrepid-android:

Anton Rubinstein - 3 Pieces for Piano, Op....</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_52847832155" src="http://litverve.tumblr.com/post/52847832155/audio_player_iframe/litverve/tumblr_mndc8oDkBE1s2kc27?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Flitverve%2F52847832155%2Ftumblr_mndc8oDkBE1s2kc27" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="169"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a class="tumblr_blog" href="http://intrepid-android.tumblr.com/post/51327496748/anton-rubinstein-3-pieces-for-piano-op-71-no" target="_blank"&gt;intrepid-android&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Anton Rubinstein&lt;/strong&gt; - 3 Pieces for Piano, Op. 71: No. 1. Nocturne in A-flat major&lt;/p&gt;
&lt;p&gt;Fabio Grasso&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://litverve.tumblr.com/post/52847832155</link><guid>http://litverve.tumblr.com/post/52847832155</guid><pubDate>Thu, 13 Jun 2013 01:06:49 -0400</pubDate><category>audio</category><category>Anton Rubinstein</category></item><item><title>"Writing is the same as music. It’s in how you phrase it, how you hold back the note, bend it, shape..."</title><description>“Writing is the same as music. It’s in how you phrase it, how you hold back the note, bend it, shape it, then release it. And what you don’t play is as important as what you do say.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Robert Creeley, &lt;a href="http://jacketmagazine.com/26/adam-creeley.html" title="via" target="_blank"&gt;via&lt;/a&gt;&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/52846288719</link><guid>http://litverve.tumblr.com/post/52846288719</guid><pubDate>Thu, 13 Jun 2013 00:40:34 -0400</pubDate><category>lit</category><category>poetry</category><category>Robert Creeley</category></item><item><title>Gustav Klimt, Music, 1895</title><description>&lt;img src="http://24.media.tumblr.com/a0984c8f95aea325e5d7ade531e1f0b3/tumblr_mobe39izGl1rs8cz3o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Gustav Klimt, &lt;em&gt;Music&lt;/em&gt;, 1895&lt;/p&gt;</description><link>http://litverve.tumblr.com/post/52845978540</link><guid>http://litverve.tumblr.com/post/52845978540</guid><pubDate>Thu, 13 Jun 2013 00:35:33 -0400</pubDate><category>art</category><category>painting</category><category>Gustav Klimt</category></item><item><title>"How we spend our days is, of course, how we spend our lives."</title><description>“How we spend our days is, of course, how we spend our lives.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Annie Dillard, from &lt;em&gt;“The Writing Life”&lt;/em&gt; (with thanks to &lt;a class="tumblr_blog" href="http://weissewiese.tumblr.com/" target="_blank"&gt;weissewiese&lt;/a&gt;)&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/52773992913</link><guid>http://litverve.tumblr.com/post/52773992913</guid><pubDate>Wed, 12 Jun 2013 02:37:33 -0400</pubDate><category>lit</category><category>Annie Dillard</category></item><item><title>"….for the night
Hath been to me a more familiar face
Than that of man; and in her starry..."</title><description>“….for the night&lt;br/&gt;
Hath been to me a more familiar face&lt;br/&gt;
Than that of man; and in her starry shade&lt;br/&gt;
Of dim and solitary loveliness,&lt;br/&gt;
I learn’d the language of another world.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Lord Byron, from “Manfred”&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/52765901686</link><guid>http://litverve.tumblr.com/post/52765901686</guid><pubDate>Wed, 12 Jun 2013 00:10:53 -0400</pubDate><category>lit</category><category>poetry</category><category>Lord Byron</category></item><item><title>Robert Kipniss, Evening, 1982, Mezzotint</title><description>&lt;img src="http://25.media.tumblr.com/9c8a02c062bcac45be688dd1958e42e8/tumblr_mo9hq2BAXZ1rs8cz3o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.davidsongalleries.com/artists/kipniss/kipniss.php" title="Robert Kipniss" target="_blank"&gt;Robert Kipniss&lt;/a&gt;, &lt;em&gt;Evening&lt;/em&gt;, 1982, Mezzotint&lt;/p&gt;</description><link>http://litverve.tumblr.com/post/52765100528</link><guid>http://litverve.tumblr.com/post/52765100528</guid><pubDate>Tue, 11 Jun 2013 23:58:50 -0400</pubDate><category>art</category><category>Robert Kipniss</category></item><item><title>"I hear that they call life
our only refuge."</title><description>“I hear that they call life&lt;br/&gt;
our only refuge.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Paul Celan, from “I hear that the axe has flowered”, trans. Michael Hamburger&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/52763235632</link><guid>http://litverve.tumblr.com/post/52763235632</guid><pubDate>Tue, 11 Jun 2013 23:31:17 -0400</pubDate><category>lit</category><category>poetry</category><category>Paul Celan</category></item><item><title>"Great poetry does not teach us anything – it changes us. Man is like a musical instrument of many..."</title><description>“Great poetry does not teach us anything – it changes us. Man is like a musical instrument of many strings, of which only a few are sounded by the narrow interests of his daily life; and the others, for want of use, are continually becoming tuneless and forgotten. Heroic poetry is a phantom finger swept over all the strings, arousing from man’s whole nature a song of answering harmony. It is the poetry of action, for such alone can arouse the whole nature of man. It touches all the strings – those of wonder and pity, of fear and joy. It ignores morals, for its business is not in any way to make us rules for life, but to make character. It is not, as a great English writer has said, ‘a criticism of life’, but rather a fire in the spirit, burning away what is mean and deepening  what is shallow.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;W. B. Yeats, from “Irish Poets and Irish Poetry” in &lt;em&gt;The Irish Fireside&lt;/em&gt;, October 9, 1886&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/52671225050</link><guid>http://litverve.tumblr.com/post/52671225050</guid><pubDate>Mon, 10 Jun 2013 21:15:33 -0400</pubDate><category>lit</category><category>poetry</category><category>W. B. Yeats</category><category>essay</category></item><item><title>Stefan Caltia, Poet With Flower, 2008</title><description>&lt;img src="http://25.media.tumblr.com/cfe656c0ca4e09e2bca62f7afd3f1bf8/tumblr_mo7cawsIxV1rs8cz3o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Stefan Caltia, &lt;em&gt;Poet With Flower&lt;/em&gt;, 2008&lt;/p&gt;</description><link>http://litverve.tumblr.com/post/52666299340</link><guid>http://litverve.tumblr.com/post/52666299340</guid><pubDate>Mon, 10 Jun 2013 20:06:32 -0400</pubDate><category>art</category><category>painting</category><category>Stefan Caltia</category></item><item><title>"But in the mud and scum of things
There alway, alway something sings."</title><description>“But in the mud and scum of things&lt;br/&gt;
There alway, alway something sings.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Ralph Waldo Emerson, from “Music”&lt;/em&gt;</description><link>http://litverve.tumblr.com/post/52605339968</link><guid>http://litverve.tumblr.com/post/52605339968</guid><pubDate>Mon, 10 Jun 2013 00:47:46 -0400</pubDate><category>lit</category><category>poetry</category><category>Ralph Waldo Emerson</category></item></channel></rss>
